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Projects
View and learn more about the design of public buildings, including government buildings and offices, banks, libraries, ministerial and agency offices, headquarters, town centres, town halls, community centres, council chambers, council offices, courthouses, fire and police service buildings, police academies, transport interchanges and infrastructure, utilities, bridges, train stations, airports, airport terminals, ferry terminals, piers, performance spaces, theatres, and meeting spaces, hospitals, medical centres, clinics, parks, daycare centres,village greens, sports centres, athletic centres, stadiums, aquatic centres, pools, and gyms; for case studies, precedent studies, and inspiration. Featuring the work of renown architects Renzo Piano, Zaha Hadid, Norman Foster, Foster + Partners, HASSELL Architects, Richard Rogers, DOS Architects, Minifie Nixon Architects, Williams Ross Architects, Yoshio Taniguchi, Eric Owen Moss, Cox Humphries Moss Architects, Lahz Nimmo Architects, Conrad Gargett Architecture, Asymptote, Massimiliano Fuksas, Arup, Information Based Architecture, Peter Kulka, designer Marc Newson, Saunders Architects, ALA Architects, Prior + Cheney, Metier3, Suters Architects, Woodhead International, Harmer Architecture, DesignInc Melbourne, Lyons, Santiago Calatrava, Brewster Hjorth Architects, Mulloway Studio, Williams Boag Architects, Lacoste + Stevenson Architects, Jones Coulter Young Architects, Francis-Jones Morehen Thorp Architects, and Ancher Mortlock Woolley Architects, among many others.
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Surrealism is many things. Melting watches. Pipes that aren’t pipes. The white lobster receiver resting languidly atop a rotary telephone. It evokes a range of popular emotions, ranging from admiration and appreciation to confusion and even fear.
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Cavernous, confusing, stressful and inefficient - in modern minds airports seem a form of nightmarish purgatory. However it was not always this way. The subtle splendour of the earliest airports resided in the romance of simple, long, grassy fields and the marriage of sky, grass, and concrete finding consummation in the reality of the aeroplane.
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Asymptote Architecture's latest projects - the Penang Global City Centre in Malaysia, the World Business Centre Busan in South Korea, and a luxury residential tower in the United Arab Emirates - are different to their past virtual work. These projects will be built, constructed from real materials in the real world.
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Shenzhen's new art galleries by Urbanus The gold standard of art gallery design is the white box, a pristine space removed from worldly concerns, outside both place and time. It’s an important statement about the works that hang inside the gallery: art, it says, is universal and timeless. This is why it’s valued. But in its designs for Shenzhen’s newest art galleries, Urbanus Architecture is challenging these basic assumptions, producing art spaces that engage with local urban culture.
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After founding the firm in 1989, Asymptote's principals, Hani Rahid and Lise Anne Couture, shot to fame almost instantly for their daring, transporting the architecture industry from paper and streetside to the more elusive theory and virtual reality.
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Minifie Nixon Architects Healesville, VIC Day-to-day work at the new Minifie Nixon-designed Australian Wildlife Health Centre is deadly serious but also entertaining and informative: think somewhere between ER and the National Geographic channel.The AWHC houses a complex range of veterinary services: emergency ward, hospital operating theatres, laboratory, post-mortem zones, care and recovery, rehabilitation, and safe areas for the release of recovered wildlife.
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Kinsley + Associates Cessnock, New South Wales Kinsley + Associates, led by Roger Kinsley, Managing Director, is uniquely positioned to deliver a coordinated architectural and engineering design solution. The grandstand is essentially constructed of Australian materials, with Luxalon cladding featuring above the colonnade.
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Prior & Cheney Architects Beaconsfield, Victoria As flocks of young couples and new families flood into Victoria’s Cardinia Shire, the Municipality has been feverishly expanding its facilities to accommodate them and to keep pace with what is now the region’s fastest growing housing development. Indeed, it was not just architectural excellence and innovation that was needed for the new Beaconsfield Community Complex. It was energy.
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Wineries by Frank Gehry, Foster+Partners and Rogers Stirk Harbour + Partners
The landscapes of northern Spain's millenia-old wine-growing areas are changing. Amidst the stone and the vineyards, there are now flashes of titanium, parabolic arcs and low-lying trefoils. Vineyards that pride themselves on the age of their vines are erecting structures whose most salient characteristic is their novelty. And while locals might approach the trend with scepticism – Frank Gehry's latest structure is hailed dubiously as la cosa, “the thing”, by villagers – the winemakers themselves show no signs of losing interest.
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The Eveleigh Rail Workshop was a glamour project of the 1880s. Tonkin Zulaikha Greer's acclaimed rebirthing of the old carriage workshop makes a few modern insertions while retaining sweeping perspectives of its massive industrial volume.
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Lahz Nimmo Architects Sydney, NSW Lahz Nimmo’s amenities blocks were essentially designed to do what all toilets do – exist primarily for utility’s sake without intruding aesthetically. The point of distinction here is that this design actually contributes to its surroundings, subtly highlighting the Australian bush-ruralism of the urban parkland.
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How to urbanise, industrialise and modernise
As the world lauds Shanghai as a model of exciting urbanism, University of Leeds’ Professor Justin O’Connor has noticed something disturbing. “What,” he asks, “is exciting other than a vicarious reliving of the West’s own innocently brutal days of early industrialisation and modernisation?” Somewhere between dystopic science fiction and this innocently brutal past, Chinese cities hold the West’s gaze with their images of booming growth, teeming masses and environmental apocalypse. But the fact is that nineteenth-century London translates poorly into twenty-first century eco-anxiety and is unimaginable on China’s staggering scale. This is China’s great problem: how to urbanise, industrialise and modernise when the Western model – the only one seriously available – seems to imply Armageddon?
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DOS Architects is the style behind the stars - from the recording studio to the ultimate luxury resort, and the funky hip hop set design. Their flair takes centre stage all over the world, putting the swing into bus shelters, the sweetness into a day at work, and the sparkle into a concrete jungle.
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Dubai represents a fascinating rebuttal of the idea that time is the key to achieving cultural depth. The largest city in the United Arab Emirates has evolved from an invisible fishing village to an omnipresent global city in only a few decades, and has left the rest of the world clinging to the tassels of the magic carpet on which it rides. It is no surprise then that the state-run culture authority hired one of the world’s most renowned architects to curate an exhibition of images tasked with answering the question “what does ‘culture’ mean in a city like Dubai?”.
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Hamburg Music, at once otherworldly and arrestingly present, presents a unique challenge to architects called upon to house it. Herzog & de Meuron rise to the challenge with the Elbe Philharmonic Hall, an ethereal monument to musical form.
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Chinese-American artist Cai Guo-Qiang wants to "fill museums with the power of an explosion".
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The High Line Railroad rusted up and went to seed after it carried its final load of frozen turkeys in 1980. Ten metres above the streets of Manhattan's Meatpacking District, the abandoned concrete and steel railroad deck sprouted a kneehigh weedbed of grasses and wildflowers.
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Information Based Architecture, Arup Guangzhou, China
Historically a most insular of countries, China is turning outwards, opening itself to the world as an image of technology, modernity and progress. It positions itself as an emerging superpower, oriented towards the future, promoting a kind of controlled transparency, an economic openness that paradoxically emphasises the country’s sparkling façade. This porous surface, the subtle interplay of invitation and illusion, is not exclusively a Chinese phenomenon. It might, in fact, be the mode of modernity, an image that is as appropriate to television’s illusory intrusions into our homes as it is to globalisation’s re-evaluation of national boundaries.
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Harmer Architecture Melbourne
Metropolitan cemeteries are rapidly running out of space, but the new extension to Melbourne General Cemetery, the city's first modern burial site, looks nothing like a panic or a quick fix.
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Massimiliano Fuksas Milan, Italy
The Milan Trade Fair complex is one of the major achievements of European architecture in the last decade. For a time it was the largest private worksite on the continent and the largest civic building project in the world, employing a multi-ethnic construction workforce of three thousand staged in teams along its kilometre-long central axis. A permanent location for international exhibitions, the Trade Fair was planned to extend over two million square metres, and needed to be completed within thirty months.
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Architecture’s most prestigious prize finally honours Jean Nouvel for a career of architectural experimentation.
Jean Nouvel, bald and in black, looks like everyone’s idea of an architect. He acts the part too: formulating ideas in bed, vacationing in the South of France, and dressing only in black (except in summer, when he wears only white). Thankfully, his embodiment of architecture’s great clichés is matched by his contribution to architecture’s contemporary vocabulary. Living up to his image, he is widely recognised as one of the most influential living architects, and routinely included amongst a select group of immensely successful superstar architects.
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Suters Architects Western Sydney
Suters Architects’ $14 million upgrade and extension of the Performing Arts Centre, completed in 2005, adds a 400 seat auditorium for Penrith’s famous Q Theatre, and brings to 27 the number of studios for the Conservatorium.
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Avuncular in his casual suits, pipe fixed in his mouth, Joe Colombo’s jovial form seems strangely at odds with his iconic sci-fi designs. But then he sits down, relaxing into his furnishings, and somehow the opposition is reconciled and he begins to look more clearly like the eccentric inventor of a utopian techno-future. His designs spring to life and suddenly seem comfortable, livable, present, as he presides over them with a calm sense of proprietary. Even the knowledge of his untimely death in 1971, on his 41st birthday, barely dampens the sense of a lively, lived-in future that emanates from these photos.
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Metier3 Melbourne
KPMG gave architects Metier3 a pragmatic and symbolic brief for the refurbishment of their historic Collins Street offices, part of the old T&G Insurance Building in central Melbourne. The building’s ground-level Banking Chamber was to become the new public face and reflected image of the corporation.
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The world press gave a collective shrug when Paulo Mendes da Rocha, resident of São Paulo, was this year awarded architecture's highest honour, architecture's Nobel.
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When you’re driving around in the fjords of Norway, you can get numb to the scenery,” says architect Todd Saunders. Fjord fatigue is difficult to imagine from afar. With few development pressures and a short tourist season, these deep, sheer grooves in the country’s western coastline are about as pristine now as they were in the time of the longboat.
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Hames Sharley Architects Mandurah, WA
Like Anzac Cove, today a sacred site of reflection and contemplation, the award winning Mandurah War Memorial by Hames Sharley both remembers and commemorates the wartime sacrifice of service-men and -women down the years. Located an hour south of Perth on Mandurah’s northern foreshore, the design comprises a procession of columns that emerge from the western estuary on the axis of the rising sun of Anzac Day.
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Cox Humphries Moss Architects Griffith, ACT When Canberra’s heritagelisted home of cricket and Australia Rules football needed a facelift and a bit of shelter, long-standing architecture firm Cox Humphries Moss was there to answer the call. Cox Humphries Moss specialises in formulating superior designs on a very limited budget, as was the case with Manuka Oval. The plans needed to utilise standard, readily available materials so as to extend the budget to cover the greatest scope of work available.
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Ashton Raggatt McDougall Melbourne, VIC Melbourne Central was never the city’s main train station, nor was it an architectural masterpiece, or even a successful retail venture. A recent facelift, however, has taken on the challenge of rewriting past shortcomings; rejuvinating the complex much like a Hollywood star reinvents a flagging career with a new ‘image’ and a few well-chosen film and media appearances.
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Woodhead International Homebush, Sydney
The technology and media revolutions have finished off the old school emergency call centre. Woodhead International’s headquarters for the NSW Rural Fire Service, managing the world’s largest fire fighting force of 69 000 volunteers, marks a new generation of institutional campus in which architecture mediates, assists and represents the circulation of information.
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Make It Right Project: NOLA | Elbe Philharmonic, Herzog & de Meuron | Art in Public: Urbanus in Shenzhen | Church of St Mary of the Angels, WOHA Architects | Fitt De Felice | Hugh Gordon | Hartree & Associates | Troppo | Lyons Click here to view our past issues.
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